Group shows can be fun and are less costly to participate in. Sometimes an artist is responsible for all of these other times the gallery handles the hanging and does much of the promotion in addition to providing the space. Not only may a body of work take months or even years to create, there is the image processing, image-selection, printing, matting, framing, inventory management, delivery, hanging, promotion, opening reception and art pickup at the end of the show (along with storage for the pieces). Opening receptions give me a chance to talk with people about my work, answer their questions, get a sense for how others view my work, and hone my description of the work.Įven with all their benefits, exhibiting work can be costly and time consuming-especially for solo shows which typically feature two dozen or more pieces. Also, an exhibition provides a great incentive to complete a project and a wonderful way to celebrate that effort. As an artist, it is gratifying to see your work hanging in a show. They allow others to see the work in person-to get a sense of the size, quality and scale of a framed piece, as well as more subtle details such as the lighting, tonal range and how the image reads on the selected printing paper. What I look for are reputable commercial galleries, university galleries, non-profit arts organizations I’d like to support, and jurors (specifically gallery owners, independent curators or publishers) who I’d like to see my work.Īs for why I participate in shows, I suppose I feel the cycle for creating artwork is not finished until I share it with others. Some are solo shows others are group exhibitions. Most are in gallery spaces a few are online exhibitions. Some are local or regional others are national or international in scope. I try to participate in a number of shows each year. And I am pulling together images for another open call with a botanical theme. A third gallery has inquired about a solo show. I have been printing and framing six pieces for an upcoming invitational show at the Quinlan Visual Arts Center here in Gainesville. I have an image in the “Diptychs” juried show opening at A Smith Gallery in Johnson City, TX. Gallery exhibitions are on my mind this week. Next week’s forecast looks drier, and I hope it will also be warmer for my friends in the northern parts of the country. The rain has returned, but I was grateful for the break in the weather and the opportunity to get outside for a walk. The way the leaves shimmered in the sunlight against the blue sky reminded me a bit of the aspens in fall in northern New Mexico and Colorado. And my favorite spot was a grove of American beeches-those that hold their leaves through winter. I passed what is certainly among the largest white oaks I’ve ever seen it would take several sets of outstretched arms to reach around it. Beyond the worn trail, the ground was still covered in leaves-maples, sycamore, sweetgum, beech, many varieties of oak, magnolias, rhododendron and others. The closest I came to any wildlife on this walk was a Labrador retriever, but there was more than enough plant life to pique my curiosity. Because it was winter, the bare trees cast long shadows from the low sun onto the forest floor. The water level was up and nearby depressions were swampy, but paths along ridges and footbridges across the stream made it easy to get around. I chose the trail that runs along a stream, crossing it several times. Though the ground was soggy, I grabbed my camera and headed to a nearby nature preserve for a walk in the woods. Because it had rained, the air was clear and the sky was deep blue. But last Saturday, the sun came out and it seemed everyone took the opportunity to get outdoors. We’ve just had a lot of rain here in the South. Some parts of the country have been buried in snow.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |